RIG
d&b audiotechnik line arrays. SubLow cabinets stacked four-deep. Enough copper-tipped XLR to wire a stadium.
THE BUILD
FROM DARK TO
DEAFENING
Every event is a production build. Scroll through the sequence that happens before doors open.
EMPTY VENUE
RIGGING & ARRAY
CONSOLE ONLINE
SHOW READY
EMPTY VENUE
An empty arena. Concrete floors still cold. A single work light hangs above the stage, casting a 10-foot circle of white on a sea of black.
RIGGING & ARRAY
Rigging points confirmed. CM Lodestar motors take the weight. Eight d&b Y-Series cabinets per side descend into position, each shackle torqued to spec.
CONSOLE ONLINE
The Yamaha CL5 surface glows to life. ArrayCalc confirms coverage. R1 Remote fires up and the first pink noise sweep paints the room — every seat measured.
SHOW READY
Ten thousand people. The kick drum hits at 80Hz and you feel it in your sternum before you hear it in your ears. This is why we build.
THE IRON
TOURING-GRADE
SYSTEMS
Every cabinet spec'd, every cable tested, every console aligned before it rolls onto a truck. No compromises.
Request Full Spec Sheet →MAIN ARRAYS
d&b Y-Series
Y10P + Y-SUB
Long-throw cardioid line array. 130dB peak SPL. Covers 35,000 sq/ft at 105dB average. Eight cabinets per side minimum.
Peak SPL
130dB
Coverage
35K ft²
LF Ext.
42Hz
SUBLOW SYSTEM
d&b J-SUB
4× stacked cardioid
Cardioid subwoofer array, stacked four-deep. 148dB peak. Front-loaded, rear-attenuated. You feel it at 60 metres.
Peak SPL
148dB
LF Ext.
28Hz
Stack
4-Deep
FRONT OF HOUSE
Yamaha CL5
96ch / 24-bus / Dante
Full 96-channel digital surface with Dante networking. 24 mix buses. ThousandX processing. Redundant power supply.
Channels
96ch
Buses
24
Latency
0.25ms
MONITOR WORLD
Yamaha PM5D-RH
48ch / IEM + wedge
Dedicated monitor console. 12× d&b M4 wedges. 8× Shure PSM1000 IEM systems. Zero crosstalk between FOH and monitor worlds.
Channels
48ch
Wedges
12×
IEM
8× PSM
CABLING
Belden 8412
XLR · TRS · CAT6A
2,400m of copper-tipped Belden 8412 XLR. 600m CAT6A for Dante. Neutrik connectors throughout. Tour-grade strain relief on every run.
XLR
2,400m
CAT6A
600m
Spec
Belden
SIGNAL DIST.
Lake LM 44
DSP · 4-in / 4-out
Lake Controller DSP for system alignment. FIR filtering, delay compensation, and cardioid array processing. ArrayCalc integration.
Filters
FIR
I/O
4×4
Latency
1ms
WHO WE SERVE
EVERY SCALE,
EVERY FORMAT
Three stages. One crew. Zero excuses.
Main stage d&b V-Series with infill and delay towers. Two secondary stages on Y-Series. Silent disco with RF distribution for 1,200 headsets. Pre-rigged sub stacks ready before main stage FOH arrives.
Rock the Dock Festival — 3 stages, 12,000 capacity, 6-hour load-in
Coachella production. Conference room timeline.
Your CEO wants to feel the bass from the podium. We line-array a parking garage, a ballroom, or a rooftop — and we align it so the back row hears the same mix as the front.
Meridian Capital Summit — 2,200 attendees, 40-minute load-in window
The DJ booth should rattle the glassware.
Sub-bass that the wedding party feels in their chest. Crystal-clear speech for ceremony. Seamless transition from quartet to DJ set without a single feedback squeal.
Hartley–Okafor Wedding — Vineyard estate, 400 guests, 3-zone system
SELECTED CREDITS
THE WORK
SPEAKS LOUDLY
Eight years on the road. From 280-person estate receptions to 12,000-capacity festivals. Every gig gets the same obsessive prep.
READY TO BUILD
YOUR DATE.
YOUR RIG.
Tell us about the gig. We'll tell you exactly what iron it needs and how we'll get it there before dawn.